Trout Steak Revival-18 April 2015-Boulder Theater-Boulder, CO

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Trout Steak Revival-18 April 2015-Boulder Theater-Boulder, CO

Trout Steak Revival

18 April 2015 - Boulder Theater - Boulder, CO

for The Lot Scene by Parker

 

Trout Steak Revival

Another run at my home venue and I couldn’t have been happier.  Stringdusters with a little Trout Steak opener on a Saturday night you say?  Why, yes, I’ll have a double-order of that with a side of sweet fast pickin’ smothered in tasty newgrass gravy.  The Lot Scene and The Mischief Collective would be making the evening their first collaboration together and that new energy was helping to super-charge the night.  Of course, a huge shout-out to our new pals at The Mischief Collective.  And what a way to start things off!  Trout Steak Revival, hailing from Denver, is definitely one of the new young bands on the scene that has secured a place on my radar screen.  And with good reason.  If you’re a person like me who is a big fan of the current trend of growing numbers of new bluegrass bands, then you’ll be a big fan of Trout Steak.  Nothing like getting things going with some positivity — “the good is getting better and the best is yet to come” being the uplifting chorus of the first song of the evening, “Get a Fire Going”.  Further down the line was the song with a short title but a long-reaching effect on the audience:  “Pie”.  By the song’s end and after hearing about so many varieties of baked goods, the band made the obligatory munchies comments to the crowd in light of Monday’s upcoming holiday.  And all we wanted was for them to give us some damn pie. Haha.  Or just some more fantastic grass like the introspective and soulfully plaintive “Ours for the Taking”.  It is certainly a treat learning a new favored band’s catalogue, especially on-the-fly at a show knowing that afterwards I’ll get the chance to really familiarize myself with some stand-out songs like “Union Pacific”.  As with many train songs, the band gave us a driving, dancing beat wholly simulating for us the experience of rocketing down the tracks on a train of music, and it certainly did not disappoint.  A brooding, moving intro to a new song caught my attention as I listened to the texture build slowly, but deliberately towards an explosion of energy and positivity and joyful five-part harmony.  That song, “Brighter Every Day”, is a recommended daily prescription for a “feel better” attitude — trust your friends here at The Lot Scene…we know what’s good for your musical appetite!  Chris Pandolfi (banjo, The Infamous Stringdusters) a good friend of the band, having produced their most recent album, Brighter Every Day, joined the five Trout Steakers on a couple of tunes for some seriously wicked pickin’.  A terrific set on many fronts and a spot-on way to prepare a group of music lovers for The Infamous Stringdusters.  So glad to know that Trout Steak is close by in Denver — I’m already looking forward to my next show!  Lovely job, guys.  Just lovely.

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Greensky Bluegrass - Railroad Earth - Leftover Salmon - 29 Mar 2015 - Bluegrass Underground - McMinnville, TN

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Greensky Bluegrass - Railroad Earth - Leftover Salmon - 29 Mar 2015 - Bluegrass Underground - McMinnville, TN

Greensky Bluegrass - Railroad Earth - Leftover Salmon

29 Mar 2015 - Bluegrass Underground - Cumberland Caverns, McMinnville, TN

Live Music Review

for The Lot Scene by Parker

Cumberland Caverns and the Volcano Room

Few things prepare a person sufficiently for certain new experiences, for instance, I am sure that skydiving’s uniqueness certainly lends itself more towards actual experience than preparedness for it.  Such is the way of your first descent into the earth for a fast pickin’ spelunking adventure like no other:  Bluegrass Underground.  Driving through the hills and woodlands of southeast Tennessee, past the sleepy nearby little town of McMinnville, the route to Cumberland and BGU is quaint and calming, rather the opposite of what awaits you down below the ground.  Since the venue is so small (only 500 people), the box office and all other supporting infrastructure is proportionately small and serene as a result, making the ticketing process smooth and easy — their only box office is onsite so that is definitely a consideration if you plan on BGU in the future, especially a multi-day run.  As you arrive, the parking lot is already peopled with folks tailgating and preparing for the cave in their own way — a lovely atmosphere in which to wait for the upcoming bluegrass wonderment.  It would be wise to pack some snacks and drinks if you plan on being onsite for much longer than the shows; while they do have some for purchase both in the gift shop/box office and from the concession stand in the cave, the offerings are a bit narrow, especially for any with dietary concerns.  The time finally came for us to line up in the woods to await our turn to head to the Volcano Room, the waiting a truly pleasant experience standing under the gorgeous blue Tennessee skies, soaking in the warming sun, making new friends all around, and listening to a little music of our own to get us ready and primed for BGU.  But, what was that?  Sudden movement at the front of the line??  And then it was time…time for the caving trip of a lifetime!!

After you enter the maw of the cavern, daylight begins to fade, noises begin to muffle, and the feeling of internment and solitude immediately overtakes you.  Wandering past calcified structures and waterfalls and pools and columns the whole reality of what is to come settles onto the consciousness with a weight and a thrill all at once.  Down, down, down you go until you reach the requisite 333 feet and your destination: the magnificent Volcano Room.  Suddenly you find yourself in this natural bowl of a room with a crenelated stone ceiling, in the middle of which is a huge crystal chandelier.  In the ceiling…of a cave.  The stage to one side of the room, chairs aligned in front of it, row after row, all the trappings of a PBS TV studio apparent everywhere you look, people taking their places on the rocks and walls…instantly you know this is a special venue like no other.  As if you needed me to tell you that.  We were able through a fluke of happenstance to get some sponsors’ seats (who didn’t show for some reason) and so had an almost front row to snap photos and get and ear and eyeful of the goings on to relate to you here.  And we were in the part of the crowd helping to make television — what a riot, what a crazy different sort of show!!  Guess we’ll just have to wait until fall when PBS airs the specials to see if we got any good cameos…but I digress.  There is MUSIC to discuss!!!

Greensky Bluegrass

Setlist - A Letter to Seymour, In Control, Can’t Stop Now, The Four, Windshield, Burn Them, Kerosene, Wings for Wheels, Leap Year, Black Muddy River

After the PBS crew got us all seated and sufficiently warmed up and they flooded the recessed cave behind the stage with fog and had the Greensky boys convene with the very caverns back there, it was time to start the show.  Watching Paul and Dave and Anders and all the lads emerging from the mists and taking the stage certainly must make for good television because it was incredibly powerful in person.  Once in place, the band began with a sizzling quick “A Letter to Seymour” with Mr. Dave Bruzza on his strong lead vocals — just the kind of energy we needed to get this shindig going!  This would kick of a set of ten songs, eight of the selections from their newest album, If Sorrows Swim.  Hoffman was up to the mic next for the soulful “In Control” whose haunting melody lines rang entrancingly through the recesses of the mystic cave all around us.  A searing version of “Can’t Stop Now” had us all bouncing in our seats next, the frenetic and joyful musicking of the band so infectious and incredible.  In the remarks following, Paul and Anders were discussing how, due to an overabundance of popularity on the surface, GSBG would now be known as ‘Greensky Bluegrass Underground’, a concept they seemed to take to heart ripping into “The Four”…I think we should have all had “another cocktail” after that one.  So, PBS, right?  Public TV.  That was at the forefront of all our minds as we watched and heard Phoff censor “Windshield” right before our eyes, which made perfect sense of course, however it was hilarious to see both his and Anders’s reactions to the concept: smiles, laughter, the funny.  Continuing through the album catalogue, we got a very nice “Burn Them” replete with a very, very small tambourine “solo” by who, I am assuming, was one of their sound technicians.  Made for a great sound in that cave, you betcha.  Anders ensured that the surroundings most certainly did not go to waste, treating the crowd with a trippy, spacey intro to a fast picked “Kerosene” playing with the reflection of his dobro on the cave walls, you know, like Anders would.  And did.  And boy, did Bruzza have an “on” night — he was absolutely tearing it up all evening but really opened the flood gates towards the end of the set.  Winding things down was a solid, solid “Leap Year” with Hoffman placing his distinctive voice back to the forefront and then finishing strongly with the Dead’s “Black Muddy River”.  All told a hot, crazy good set played with speed, precision, heart, talent, and, let’s face it, love.  These guys love what they do and we are lucky as hell that they choose to share it with us time and again.  And we were very lucky that they shared this cave session with us!!!

Railroad Earth

Setlist - Chasin' a Rainbow, Railroad Earth, Mighty River, Like A Buddha, Water Fountain Quick Sand, Bird In A House, Black Bear

If GSBG’s set was all about their new album, Railroad Earth’s set was all about fan favorites and crowd pleasers.  In fact, it was one of the best sets if not the best by Railroad I have ever seen.  No hyperbole here.  From start to finish just a foundational, sound set of music from this New Jersey band.  After their auspicious emergence from the foggy depths, they led off with the always mellow but uplifting “Chasin’ a Rainbow” and then wasted no time in giving us their stirring and eponymous “Railroad Earth”.  “Mighty River” followed, allowing various members of the band an opportunity to showcase the supreme musicianship and musical acumen for which RRE has become so well known as well as bringing forth some particularly tight jams.  The light-hearted “Like A Buddha” and more intense “Water Fountain Quick Sand” continued this underground set landing at a riveting “Bird In A House”.  Clearly not intending to disappoint, the band selected a “Black Bear” closer that proved both marvelous and apropos given our setting and locale.  Throughout the set, John Skehan’s playing just mesmerized me…he appeared to be in a dimension of pure musical ecstasy.  It was almost impossible not to watch him.  Hands down most certainly one of the best sets I have seen Railroad Earth play — suffice it to say I am already jazzed to see the PBS special this fall so I can witness the whole affair all over again!

Leftover Salmon

Setlist - Gulf Of Mexico, High Country, Get Up and Go, Two Highways, Aquatic Hitchhiker, Oh Atlanta, Liza, Down in the Hollow, Up on the Hill Where They Do They Boogie - E

If there was one thing to take away from this set it was how freaking on hellfire Drew and Andy were throughout…sizzling, smoking, spanking hot!!  All of the above.  Very good on the organizers at BGU for arranging the bands in the order they did, too.  Having Salmon close was genius and, with the band on the heels of such a stellar performance the evening before (see my review for more info), it proved to be, in a word, ridonkulous.  The sauce and sass of “Gulf of Mexico” jumped things off with Drew crooning away to us, the temporary troglodyte audience.  Then it was juxtaposition between low surroundings and “The High Country”, one of my favorite Colorado anthems.  After “Get Up and Go” Vince decided to lead us all in a bit of group humming, which ended up reverberating around the Volcano Room over and again…it was pretty cool.  And Vince sure dug it (if his massive smile was any indication). “Two Highways” led to an “Aquatic Hitchhiker” introduced by Vince who spoke of blind cave crawdads who might be listening in to the show that night.  Love that guy.  Then, what was that?  You want Bill Payne (of Little Feat) to tickle the ivories and tear it up for you?  How about a rocking “Oh Atlanta” then?  Good enough?  Well, it was definitely more than good enough down in the Underground.  The playful and enjoyable “Liza” was next in line followed by an apropos “Down in the Hollow” closer sung by Drew, whose previous time spent in Tennessee lent a special sentiment to the song.  Unbeknownst to us, reeling in the shock and wonder and blissed out catatonia of what just happened, there was going to be an encore…we watched Salmon slowly reemerge from the hollow only to retake the stage and delightfully lambast us with John Hartford’s “Up On the Hill Where They Do the Boogie” which had every person dancing at their seat or in the aisles all over the cavern and they boys blew the damn doors off it this time.  Drew and Andy were like madmen on their instruments taking it all to a frenzied fever pitch.  A hell of a mighty way to end a once-in-a-lifetime show such as this.  Honestly, I am still in shock from what I saw and heard.  I am just so grateful I had the opportunity to make it to Bluegrass Underground and to these shows.  If you ever have the chance to get to McMinnville and to the caverns I highly recommend you take in a show.  Bucket list material my friends — make sure you make it!!

 

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Leftover Salmon - 28 Mar 2015 - Cannery Ballroom - Nashville, TN

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Leftover Salmon - 28 Mar 2015 - Cannery Ballroom - Nashville, TN

Leftover Salmon 

28 Mar 2015 - Cannery Ballroom - Nashville, TN

Live Music Review

for The Lot Scene by Parker

 

Leftover Salmon

Since we were on our way to Leftover’s Bluegrass Underground show on Sunday, we decided to hit up yet another round of slamgrass with the boys from Boulder (or thereabouts) the night before.  And this time, in Nashville, TN.  Having the good fortune to be staying with friends in the area, we all headed down to the Cannery Ballroom part of town en masse ready to fill our ears and eyes with those oh-so-unique stylings of Vince and Drew and Andy and all the fellas.  The Cannery as a venue is small and vintage -- a 1000 person space of brick and history and exposed timbers.  Certainly an intimate setting in which to see the manic, marvelous energy of this band, Leftover Salmon.  Out of the gate with a fave, “Liza" took center stage as their opener, a perfect way to begin the evening. A smoking hot Drew song came next, “All Night Ride” bringing some more fire to the growing momentum of the show. “TU NA PAS ALLER”, a little Cajun song written with the band’s Kentucky friends (according to Drew), followed which led to some good old rock and roll care of “The Other Side” and Mr. Drew Emmitt.  The show’s energy and that of the band and crowd seemed to build steadily throughout the night...from what felt like a slightly reserved start in some ways to a steam piston-powered musical juggernaut by show’s end.  Billy Payne tickled the ivories and took the mic for the next tune, “Way Down Under” — man do I love that man’s piano skills.  His playing can be just the perfect addition to an already favorite sound and musical texture for me.  Andy Thorn and “Bolin Creek” dominated the show for a long, sweet while, the tune being a simply badass instrumental...everyone tore it up taking their turns at soloing..Bill even stood and took a half bow after his portion.  Crowd freaking pleaser, no doubts there.  And thanks, boys!!  “Are You Sure Hank Done It This Way?” came on the heels of that sizzling jam and it was, of course, a great selection for the town.  All the present Nashville folk ate it up - certainly a crowd of stomping/clomping people. John Frazier joined in for some fast pickin’ at the end of first set on mandolin and wearing a Hot Rize t-shirt (awesomesauce).  He and Salmon then proceeded to tear through “Danger Man” and then end the set with a personal favorite of mine, ”Euphoria”.  Incredible first set.  Truly, it was.  However, things were only just getting started around here I was soon to discover.  As we were all soon to discover.

Busting out with still more fervor and energy, Salmon tore the top off the second set with a particularly quick version of “Keep Drivin’".  Right near the end of the song, Andy, Vince, and Drew 'trio-ed up' standing close enough to one another to practically interweave the very strings they played as easily the notes and chords of the musical tapestry the wove together in that moment.  In a word and as a way to get things going again post set-break, it was magnificent.  And with some Paul Hoffman, Anders Beck, and Dave Bruzza sightings in the crowd, there was the promise of even more delectable musical mania.  "Light in the Woods" was second, a darker and brooding song by Drew.  Pulling out the title track of their new album, they boys gave us one hell of a ”High Country" which we all needed a bit to pick our spirits up out of the woods...nothing like a good Colorado anthem to brighten the mood.  Bill Payne (of Little Feat) was set to croon again with “Rooster Rag" as well as give us all some groovy and tasty piano licks.  Anders Beck and his electric dobro joined in the fray for some more rock with “Get Er Rollin’” with Drew on electric guitar -- the hotness.  Then things got really out of control with an epic rendition of "Soul Shakedown" with the indomitable Paul Hoffman added to the mix…just an amazeballs version!!  By the end, not only had we gone through “Soul Shakedown” but we also made our way through  “Hot Corn, Cold Corn”; “Buffalo Soldier”; “The Beverly Hillbillies Theme” (but LS’s cannabis version); “Rocky Top” (FAST pickin’); and “Hotel California” — it was unreal and so very much fun. Phoff took lead vocals next for “Railroad Blues” thus proving that Salmon was making one hell of a good use of available guests.  Which brought the second set to a slamming hot close.  Wow, what a special show.  But, wait…there’s more!!  The first of two encore songs was “Squirrel Heads and Gravy” because who doesn’t want to roll up a fatty, you know?  But then it was all about to get a bit nasty with some Guns’n’Roses.  No, you read that right.  With Dave Bruzza guesting in on washboard of all things, the first strains hit our ears from the guitar and mando and banjo and we all knew "Sweet Child of Mine" was on its way.  That sweet “Sweet Child”…Bruzza even had a solo!!  Phenomenal close to a unique and special show.  Really happy to have caught this one.  All of this fervor, of course, getting me ready to a fever pitch for seeing Salmon again at Bluegrass Underground, but that’s a tale for another day, my friends.  Tomorrow, in fact… 

 

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Greensky Bluegrass - 12 March 2015 - Boulder Theatre - Boulder, CO

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Greensky Bluegrass - 12 March 2015 - Boulder Theatre - Boulder, CO

Greensky Bluegrass

Live Music Review

for The Lot Scene by Parker

 

Greensky Bluegrass

Many months ago when Leftover Salmon announced their weekend event at the Stanley Hotel, I was thrilled at the prospect of going. Once I miraculously managed tickets for that event it never occurred to me that there was even going to be icing on the cake of that weekend: last night’s Greensky show at the Boulder Theater. Always a fan of shows at my home venue, I was no doubt excited that GSBG announced a three night run starting on a Thursday, thus ensuring I could make it to the perfect kick-off to another weekend of fast pickin’ to come. 

Rayland Baxter, a Nashville guitarist/singer fronting a trio, opened the show with a mellow sound and energy, one that he is taking on tour with GSBG.  With drums and keyboards joining in, Mr. Baxter treated us to the absolutely lovely sound of his voice, one I would describe as a combination of Paul Simon, a young Bob Dylan, and Dan Lotti (Dangermuffin).  Additionally, the band itself evoked the feel of many others throughout, one track feeling very much like a Santana cover until the lyrics came in.  And, while I say the energy was a bit mellow, these three fellows did get into a few heavy jams before they turned the stage over to the boys in Greensky.

And so it was GSBG time…the lads kicking things off with a little “Dry County” being played, most assuredly, in a county that isn’t dry of much of anything these days.  I’m not sure that phoff and I have ever spoken directly about my truly and abiding lifelong love of the band Pink Floyd and their incredible, incredible catalogue of music.  However, it would seem several such conversations had occurred when Greensky Bluegrass roared from “County” into a simply badass version of Floyd’s “Time” in order to get the evening whipped into a psychadeligrass frenzy.  Solo after solo after solo made each instrument shine in the virtuoso hands assembled on stage, their interplay threading so many different musically emotive textures:  Beck - crisp, clean, quick, voluminous; Bruzza - dirty, nasty, organic, mean; Bont - sweet, sonorous, lofty, lean.  So good, so right up my alley…everything to come after was going to be so gravy tonight!  A very solid “Demons” and “I’d Probably Kill You” took us to Jimmy Martin’s “Hit Parade of Love” another favorite of this here reviewer. With wild Bruzza baying the lyrics into the mic in his own, Bruzza fashion, the remainder of the band gave us all some fast-ass backin’ and pickin’.  An 11:38 “Lose My Way” followed and was, in a word, fantastic.  But even better than that — such a soulful song done soulfully.  Soulgrass?  Yeah, soulgrass.  The boys invited Mr. Rayland Baxter back to the stage to do a number with them, this time “Olivia”.  Man, do I love his voice.  Finally, the (can you believe it??) first set came to a close with a lovely lengthy “Train Junkie” and it was time to get our set-break on.

Second set jumped off with an intro segueing into “Cold Feet” with a tasty lead-in dobro solo from Beck.  And Mr. Bruzza of course, of course.  Great way to start a set in my opinion.  Hoffman’s haunting “In Control” serenaded the crowd through to rowdy, rollicking, ‘punch-a-relative’ kind of awesome version of “Can’t Stop Now”.  Very much one of the reasons we all cough up some hard-earned scratch to come bask in the diaphanously diabolical divine debauchery that is GSBG.  You want to leave one their shows feeling a certain way…you know the way I mean.  And this show was not disappointing in the least!  Coming to the end of another long set, an extensive “Broke Mountain Breakdown” broke us all down into dancing, clapping, jumping, and hittin’ that hootenanny feeling on a Thursday night!  And, just to keep life lovely and wonderful, how about a little Michael Jackson in the middle of your Breakdown?  Mainly a little “Beat It” no less?  Hells to the King!!!  “When I Get My Hands On You” and “What's Left Of The Night” were our double-barrel encores, one soft and sweet, one energetic and happy-making — just the way you want to leave a show, no?  And, once again, Greensky Bluegrass delivered another balanced bevy of bluegrass and badassery.  Well done, fellas!!

 

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WinterWonderGrass - 2015 - Sunday

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WinterWonderGrass - 2015 - Sunday

WinterWonderGrass 2015

Festival Experience Archive

for The Lot Scene by Parker

 

Sunday - February 22nd

WonderGrass Allstars - Jeff Austin Band - Leftover Salmon

Sunday Funday!!  Never miss a Sunday show, right?  Or shows as the case may be.  And Sunday at WonderGrass was not going to be one to disappoint.  The first music we caught was the WonderGrass Allstars Band helmed by none other than the great Mr. Tyler Grant.  As soon as I heard them start thrashing away at some old school, grassy, fast pickin’ I was instantly glad they’d be getting three ‘tweener sets rather than two like the previous days.  Old school as in “Blue Ridge Mountain Cabin” old school — the Allstars led early with a very solid version of this standard.  Such a great energy and depth of tradition to bring to the Sunday WWG experience…not many other bands at the fest were covering Bill Monroe’s “On and On” that’s for sure.  All in all, I looked forward to coming back to hear the Allstars between main stage acts more and more as the day went on.  Bravo to Tyler and the whole band!!  

Then it was back to the main stage where the Jeff Austin Band was set to hit WinterWonderGrass like a bluegrass freight train.  This was my first time seeing J.A.B. so I was pretty excited to see just what the former YMSB frontman and his new ensemble had to offer…and I wasn’t headed for a letdown, either.  As fate would have it, all of us needed that fire from the stage as the winter wind had picked up once more, chilling the bones and blowing the snow over our heads right into the faces of the musicians onstage.  Again, it must be said how incredible all the WWG performers are to withstand and brave such harsh conditions in order to give us some of the best music on the Earth — so much gratitude and thanks!!  Back to Jeff’s Band…which appeared to me to be precisely the kind of band a man like Mr. Austin would form to back him after departing Yonder.  The instrumentation is the same as YMSB, however, there was an overall different feel to the group, one of more intensity, maybe?  The term I would use, as I would describe Jeff himself, would be:  delightfully manic musical energy.  Meaning, these boys could straight pick…and FAST!!  Like with Todd Snider’s “Sideshow Blues” for example — quick, clean, dirty, and bringing the heat!  And, I would be remiss if I didn’t mention the juggernaut banjo man that is Danny Barnes — what a helluva combination we have in Barnes and Austin!!!  So glad these two found there way into a common project!  In addition to being directly on-point with his music, Jeff was also brimming with stage presence and charisma which he deftly shared with the grateful Colorado crowd.  The man was charming and his band is badass bluegrass done right…what more could a person want?

After swinging through the Pickin’ Perch to catch some more WWG Allstars and to warm the frigid carcass a bit, we headed back out into the icy, biting winds to put a little polyethnic cajun slamgrass into our ears and lives with Leftover Salmon.  The positive energies and joyous vibes these fellas radiate are just incredible — truly it is so easy to see just how much these guys LOVE their jobs and that makes them extra fun to see live.  And that the Salmon boys were joined by Sam Bush on fiddle and electric mando for their entire set made the WWG 2015 final performance all the grassier and grittier!  The setlist vacillated between old favorites like “Eliza” to this smoking hot Andy Thorn banjo tune that offered everyone an opportunity to showcase their insane skills, something the members of this band have in spades.  Besides, Salmon is just so damn fun to watch!!  Andy was wearing a crazy furry buffalo hat with horns!  And there was a hilarious moment between Drew Emmitt and Sam Bush between songs — Drew held his hands up to Sam motioning that they were really cold and then Sam turned around and bent over, apparently offering Drew a warm place to put them.  Hilarious!!  Love that Sam guy!!  Suffice it to say, WWG was on-point when they chose to put Leftover Salmon in as the 2015 closer.  

So, what did I think of WWG, hmmm??  Honestly, just an incredible job all around and one marvelous little mountain bluegrass festival!!  I will definitely be coming back to Avon to see if the lightning that is this madness can strike me again…I certainly hope it does.  And I have no doubts that it will.  Many thanks again and always to the performers, staff, volunteers, the town of Avon, and everyone else who had a hand in making this year’s WinterWonderGrass so very special!!  See you around the bend!

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